Interconnected and ever-expanding, Los Angeles art stings our galactic brains

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“Immaculate misconceptions” at JOAN

Until December 21

Pippa Garner’s first poll does not disappoint. It is filled to the brim with drawings of inventions, from clothes to cityscapes. Some of the more reasonable ones, a vacuum cleaner that smokes cigarettes and a set of bunk bed chairs, have been painstakingly transformed into sculptures. Once made simply with ready-made materials and the pillars of a dime store, these sculptural reconstructions showcase the genius and maneuverability of Garner’s practice, but also the rapid renewal of technology and its effects. on our way of life.

Installation view of “Anita Steckel. Photograph by Paul Salveson, courtesy of Hannah Hoffman Gallery, Los Angeles.

“Anita Steckel” at the Hannah Hoffman Gallery

Until October 23

Maybe you have to go all the way to Los Angeles to fully appreciate New York. At least it seemed true in Hannah Hoffman’s first introduction to Anita Steckel’s estate. The show brings several series into conversation, including phallic collages printed by William Morris and Steckel’s Xeroxes, which impose its frame on the Big Apple. Here and in the history books, Steckel looms large, and since she was new to us, the exhibit seemed like a much needed required reading.

Kinke Kooi, Visit (3), 2019. Photograph by Paul Salveson, courtesy of the artist and Bel Ami, Los Angeles.

“Emblazoned world” at Bel Ami

Until October 30

Organized by artist Lucy Bull, this tightly coiled group shows the galaxy’s brain pricking almost on contact. The exhibition follows a path of reflection that the artist weaves from a loose romantic link with the domain of Lee Mullican to meeting Luchita Hurtado in person to Bull’s own practice. Finally, the thread returns to the world where she ties it to the work of younger voices like Kentaro Kawabata, Nancy Lupo and Elizabeth Englander. It’s a cosmos of connections worth losing yourself in. If you need advice, the press release can work like a loose card.

Installation view of Ficus Interfaith. Photograph by Nik Massey, courtesy of In Lieu.

Ficus Interfaith at In Lieu

Until October 23

Symbols and signifiers seek to interweave by any means necessary in the vocabulary-focused exhibition of Ficus Interfaith, where words serve as the basis for sculptural compositions in aluminum, terrazzo and wood. The paintings demonstrate both the artistic duo’s skill in handling materials, but also the concerns that go beyond the trades with which they choose to play in the studio. By allowing language to enter the work, the exhibition acts as a welcome mat for those unfamiliar with this intriguing collaborative practice from New York.

Hayao Miyazaki, Academy of Cinema Museum. Photograph by Joshua White, JWPictures / Academy Museum Foundation.

Hayao Miyazaki at the Cinema Academy Museum

To be determined

Few animators have touched as many artist practices and had such an impact on pop culture as Hayao Miyazaki and his Studio Ghibli. The fandom around the universes they’ve erected on screen would make it seem like there was nothing new to broadcast but to our delight, this new retrospective is a treasure trove of original artwork. that never saw the light of day, including satisfying architectural designs and character studies that add new dimensions to beloved spaces and characters.

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