Behind the goal: October 2021 | Gallery

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One of the main attractions of the Moroccan city of Marrakech is the Majorelle Garden. The fantastic landscaping was created by French painter Jacques Majorelle, who started the project in 1923. It took almost 40 years to complete the gardens. In the middle of the gardens, he also built his home, a Cubist villa which, like many other places around the garden, sports the famous ‘Majorelle Blue’, a special shade of bold cobalt blue named after the painter because it doesn’t. not only used widely in his work, but also patented before his death.

After seeing some photos in a brochure, I couldn’t wait to visit the place. After all, blue (and all its shades) is my favorite color, but I had no hope of taking good landscape or architectural photos. The place would be teeming with tourists (it was a few months before the pandemic started) and so I wouldn’t have a clear and sharp angle of the house or the gardens. However, I knew that the presence of a lot of people would give me the opportunity to practice street photography, something difficult to do in our cities of Alabama, where there is not a lot of life on the streets since everything. everyone uses their cars to go anywhere.

Besides a few family portraits that I took there, this is my favorite image from this visit. This happened for a few rare seconds when only these two tourists were at that particular location. There were a number of things that caught my attention. First, the woman leaning against the wall wore a yellow shawl, and the complementary (or opposite) color of blue provided great contrast and, at the same time, played with the other shades of yellow on the doors and window Frame. Second, the roundness of the hat offered a great contrast to the fanciful but still straight lines of the Cubist building, and the curve of its brim was almost symmetrical with the curve of the shaded part of the wall.

The woman under the hat was actually taking a photo of the woman on the wall, but I chose an angle where the hat completely covered the camera because I wanted this photo to be a little less documentary and a little more abstract, something roughly shapes, colors and sensations. I think the end result is quite intriguing and certainly no one would guess that there were hundreds of tourists strolling just outside the edges of this frame.

About the series: Behind the lens is a column of photos that explores the thoughts and mechanisms behind the images of the community taken by Decatur every day photojournalists. These photos resonate with the photographer, whether through the story behind the shot or the image itself.

About the photographer: Jeronimo Nisa, originally from Spain, was a photojournalist with The Daily Decatur since 2008. He graduated from the University of Missouri-Columbia with a Masters in Photojournalism. He previously worked in Italy and South Africa.


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